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Jazz: The American Theme Song
Publisher: Oxford University Press, 1993
A leading jazz critic takes a provocative look at jazz in America
Pages 326
" James Lincoln Collier is probably the most controversial writer on jazz today. With the publication of "Jazz: The American Theme Song" offers music lovers razor-sharp analysis of musical trends and styles, and fearless explorations of the most potentially explosive issues in jazz today.
Collier argues, for example, that although jazz was originally devised by African Americans from black folk music, jazz has long been a part of the cultural heritage of musicians and audiences of all races and classes, and is not black music per se.
Impeccably researched and informed by Collier's wide-ranging intellect, "Jazz: The American Theme Song" is an important look at jazz's past, its present, and its uncertain future. It is a book everyone who cares about the music will want to read.
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Publisher: Oxford University Press, 1993
A leading jazz critic takes a provocative look at jazz in America
Pages 326
" James Lincoln Collier is probably the most controversial writer on jazz today. With the publication of "Jazz: The American Theme Song" offers music lovers razor-sharp analysis of musical trends and styles, and fearless explorations of the most potentially explosive issues in jazz today.
Collier argues, for example, that although jazz was originally devised by African Americans from black folk music, jazz has long been a part of the cultural heritage of musicians and audiences of all races and classes, and is not black music per se.
Impeccably researched and informed by Collier's wide-ranging intellect, "Jazz: The American Theme Song" is an important look at jazz's past, its present, and its uncertain future. It is a book everyone who cares about the music will want to read.
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